Technological progress during the latter twentieth century gave Descartes' malignant demon tangible form through machinery. Science fiction began examining technology-enabled VR's extensive, frequently harmful societal consequences. Among initial illustrations, Ray Bradbury's 1950 story "The Veldt" depicts children manipulating a VR nursery to entrap and eliminate their parents. Stanisław Lem's 1960 narrative "Ijon Tichy's Memories" investigates VR environments nested within other simulated realms. Philip K. Dick repeatedly engaged with VR themes from the late 1950s through the 1980s. The 1987 television series "Star Trek: The Next Generation" introduced an advanced VR chamber called the holodeck, enabling user interaction with programmed characters in convincing artificial settings. 1992's "The Lawnmower Man" cautioned about experimental VR hazards. The 1999 "Matrix" film series portrayed VR employed for human subjugation. Numerous contemporary works incorporate VR elements, including "Vanilla Sky," "Ready Player One," and the "Tron" series; television productions like "Westworld," "3 Body Problem" (adapted from Liu Cixin's fiction), and "Altered Carbon" (based on Richard K. Morgan's novels) similarly explore these themes.
单从作为人工智能主要载体的信息传输、软件和信息技术服务业来看,北京、上海分别有相关入库企业188家、77家,均高于深圳。新崛起的“数字经济之都”杭州虽在企业数量上不如深圳,但该行业平均研发投入18.13亿元、平均营收244.87亿元、平均研发强度19.08%;作为对比,深圳这三项指标对应的数字分别为12.56亿元、120.63亿元、15.27%,均不及杭州。
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